Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no more have a shut system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Origami facile
Kent du Pre has done such focus on Symmetric figures such as stars from which flowers can be folded. Irregular figures have appeared occasionally, but the most extreme form occur in Paper Wonder with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper trimming. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Comment Faire Un Avion En Papier Qui Vole Bien Et Longtemps Origami.
Origami fleur
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are filled with slitting to achieve ear or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved solely by folding.
Fleur origami
Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modeling particularly if foil has recently been used and one can be certain of the substance remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modeling following the folding The technique of wetting the paper is apparently Japanese in origin was Dessin D'un Avion En Papier demonstrated by Yoshizawa at a Convention in Liverpool. Another method of damp moulding using paste in the preparation is discussed by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be soft and we are approaching figurine rather than Origami.
Bateau en papier
The particular associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the conclusion to Fabriquer Un Bateau Pirate En Papier Maché show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of papers each folded to symbolize some part of the animal and then brought with each other. The idea may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have appeared for folding a dragon from a amount of squares of different sizes.
Comment faire un avion en papier
In
the most extreme combos of water and papers we are, naturally , in the world of papier-mache which is obviously an open-ended art. DecoratingThe simplest step from the single colour is one side coloured and one white or plain. A great package of modern Origami exploits this colour difference. The delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more Avion En Papier Facile Planeur restricted form of decoration occurs in Japanese papers which are already printed with a design suited to an exclusive model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The slicing out of holes etc. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Avion En Papier Planeur Video Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and plainly here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form we may use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or cards. The most unusual form of 'display mechanics' that I am acquainted with is by Toyoaki Kawai.